A Song to Begin With: How Faheem Abdullah and Arijit Singh Turned Debuts into Destiny

When Arijit Singh first broke onto the scene with Tum Hi Ho from Aashiqui 2 in 2013, it felt like the voice of a generation had arrived overnight. A hauntingly emotional ballad wrapped in raw vulnerability, it wasn’t just a chartbuster—it was a cultural event. That track didn’t just introduce Arijit Singh to the masses; it embedded him in the DNA of Bollywood romance. More than a decade later, Singh is the undisputed titan of Hindi playback music, having built a catalog of hits that read like the emotional diary of modern India.

Fast forward to 2025, and another name is quietly drawing comparisons—not for mimicry, but for a shared origin story and a similar emotional resonance. Faheem Abdullah, the singer-songwriter from Kashmir, isn’t trying to be the next Arijit, but his trajectory is echoing that same rare blend of timing, talent, and musical gravitas. His debut in the musical film Songs of Paradise, where he co-composed and sang the standout track Saiyaara, launched him into public consciousness almost overnight. Much like Arijit’s entry, it wasn’t just a song—it was a moment. There was something unmistakably intimate about Faheem’s voice, something that didn’t feel manufactured for mainstream success yet resonated just as powerfully.

Both artists didn’t just debut with a single—they debuted with a feeling. And both arrived wrapped in the emotional world of musical cinema, setting a tone for their careers that feels cinematic in itself. But where Arijit leaned into Bollywood’s vast romantic landscape, Faheem’s canvas is painted with indie textures, Sufi undercurrents, and a poetic rawness that reflects his Kashmiri roots. His album Lost & Found felt like a diary set to music, while songs like Ishq blurred the line between traditional lyricism and modern storytelling.

Arijit Singh’s voice has long been the one you hear when love begins or ends. Faheem Abdullah, still in the early days of his arc, is carving out something different—maybe quieter, maybe more layered—but no less evocative. Both began their journeys with a song that became more than a hit. And both remind us that sometimes, the right voice at the right moment can do more than just top charts. It can stop time.

Who Really Owns Nirvana Songs?

In addition to leaving behind a potent musical legacy, Kurt Cobain left behind a wealth of songs that would serve as the focal point of one of rock's most intricate legal dramas when he passed away in 1994. There is no definitive answer to the question of who owns Nirvana's songs. It's a complex network of bandmates, business transactions, and legal disputes that has developed over many years. At first, Cobain possessed the majority of the publishing rights to Nirvana, which included well-known songs like "Smells Like Teen Spirit," "Come As You Are," and "All Apologies." His widow, Courtney Love, and their daughter, Frances Bean Cobain, inherited those rights after his passing. Love and the band's surviving members, Dave Grohl and Krist Novoselic, established Nirvana LLC as a business in 1997. By 2001, the relationship exploded into lawsuits. Love wanted the LLC dissolved, arguing that Grohl and Novoselic were routinely outvoting her and ma...

Why Most Indie Artists Can’t Pay Their Bills

The dream of making a living as an independent musician has never been more accessible—or more elusive. Thanks to the internet, artists can record, distribute, and promote their music without a major label. But despite the democratization of tools and platforms, most indie musicians still can’t earn enough to cover their basic expenses. Here’s why the math rarely adds up, and why the system is stacked against them. Streaming Pays Pennies (Literally) The primary way most indie artists make money today is through streaming platforms like Spotify, Apple Music, and YouTube. But the payouts are shockingly low: Spotify pays artists $0.003–$0.005 per stream (that’s less than half a cent). Apple Music is slightly better, at $0.007–$0.01 per stream. YouTube pays even less, often $0.0006–$0.003 per stream (and that’s before YouTube takes its 45% cut). The Reality Check: To earn $1,000/month (barely enough to cover rent in many cities), an indie artist would need 200,000–333,000 streams/mont...

Why Record Labels Are No Longer Spending on Artist Development

The music industry has undergone a seismic shift in recent decades, and one of the most noticeable changes is the decline of artist development by major record labels. Once the backbone of the industry, labels used to invest heavily in nurturing talent—grooming raw artists into polished stars through vocal coaching, image crafting, songwriting support, and long-term career planning. Today, that investment has dwindled. The rise of the “instant hit” culture is one of the biggest reasons why. In the age of streaming and social media, labels prioritize short-term gains over long-term growth. The industry now thrives on viral moments, overnight sensations, and algorithm-driven success. Why spend years developing an artist when a TikTok trend or meme can catapult an unknown act to stardom in weeks? Streaming platforms reward immediacy, and a song can blow up overnight while its shelf life remains equally short. Labels are more interested in capitalizing on fleeting trends than building sust...

If She Doesn’t Love You, Neither Should You: The ROI of Emotional Self-Respect

In the boardroom, the rule is simple: if a venture isn’t yielding returns, you cut your losses. You pivot. You reallocate capital to where growth is possible. Yet in matters of the heart, even the most rational, high-performing individuals abandon these principles. We’ve been conditioned to believe that persistence proves love—that effort can convert indifference into affection. But in adult relationships, there is a harder and far more useful truth: if she doesn’t love you, neither should you. This is not cynicism. It is discipline. Withholding emotional investment from someone who cannot reciprocate is not rejection—it is alignment. It is how you protect your time, your energy, and your sense of self. The first principle to understand is the sunk cost fallacy. In business, it’s recognized as a cognitive bias—continuing an investment because of what has already been spent, rather than what future returns justify. In relationships, it shows up as staying because of time inve...

Happy Birthday Rishbh Tiwari: Celebrating the Soulful Voice of Independent Music

Rishbh Tiwari, popularly known as Acoustic Rishbh , celebrates his birthday on August 24 . The Mumbai-based singer-songwriter has built a distinctive identity through his soulful vocals, acoustic sound and emotionally driven songwriting. Rishbh is best known for songs such as “Aankhon Ke Darmiyan,” “Bohot Hi Khoobsurat Lag Rahi Ho Tum,” “Yaar Mere Jab Saath” and “Aankhein Kafirana”. His music often draws inspiration from love, longing and personal experiences, giving his songs an intimate and relatable quality. His journey has also included performances at prestigious events, along with work on jingles and radio spots. Over the years, he has continued to explore different musical styles while maintaining the emotional quality that defines his artistry. With new music continuing to arrive in 2026, Rishbh Tiwari remains focused on creating songs that connect with listeners on a personal level. His latest releases include “Fantasy,” “Move On” ...

A Late-Night Playlist for Love Making

Late night love making is different. It is quieter, heavier, more honest. There is no rush to impress and no need to perform. The room is dim, the world outside is asleep, and whatever happens feels like it belongs only to the two people inside it. Music at this hour should feel like a low light rather than a spotlight. Something that wraps around the moment instead of interrupting it. The night should open with sound that barely announces itself. Cigarettes After Sex works here not because it is obvious, but because it is restrained. The music feels like breath, like proximity. It lets bodies settle into the same rhythm without forcing anything to happen yet. As closeness turns physical, the playlist should deepen, not accelerate. Rhye slips in naturally at this stage. His voice carries intimacy without urgency, sensuality without noise. It is music for slow hands and unbroken eye contact. Then comes Rishbh Tiwari’s Fantasy , a track that feels made for this hour. It does not ask...

Job Loss in the Music Industry in 2026: A Quiet Disruption

The music industry in 2026 is undergoing a structural transformation where job loss is happening gradually, driven less by collapse and more by automation, artificial intelligence, and platform consolidation. While overall music consumption continues to grow, the number of traditional human roles required to produce, manage, and distribute music is shrinking. A major factor behind this change is AI-generated music. Modern systems can now produce complete songs, including composition, arrangement, instrumentation, and even synthetic vocals. As these tools improve, they are increasingly replacing routine and production-heavy tasks. Work such as background scoring, demo creation, jingle production, and basic commercial music composition is being automated, particularly in industries that prioritize speed and cost over originality. Session musicians, freelance composers, and entry-level producers are among the most affected. Tasks that once required studio time, collaboration, and repeated...

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