Nora Fatehi, long celebrated for her magnetic dance moves and screen presence, has been quietly carving a path as a singer, inviting both curiosity and scrutiny. There’s an almost cinematic quality to her musical ventures — a sense that every note she sings is choreographed with the same precision that makes her dance sequences unforgettable. Her recent work, particularly on tracks like  “NORA”  and  “I’m So Rich”  with Yo Yo Honey Singh, reveals an artist experimenting with her voice, weaving Moroccan, Punjabi, and global pop influences into a singular sonic identity. Critics might argue that Fatehi leans heavily on studio polish, Auto-Tune, and production effects, yet to dismiss her vocals as mere embellishments would be unfair. There’s a texture in her delivery, a playful charm that dances between rhythm and melody, that hints at untapped potential. Her collaborations with seasoned artists lend her music credibility, while her international approach reflects...